All images what are containing more than one colour and its shades.
Black and white photography (Monochrome)
A black and white work fitting from the very dark grey (black) to the very clear
grey (white) is a monochrome work with the various shades of grey. A black and white
work toned entirely in a single colour will remain a monochrome work able to stand
in the black and white category; such a work can be reproduced in black and white
in the catalogue of a salon under FIAP Patronage. On the other hand a black and
white work modified by a partial toning or by the addition of one colour becomes
a colour work (polychrome) to stand in the colour category; such a work requires
colour reproduction in the catalogue of a salon under FIAP Patronage.
Nature photography is restricted to the use of the photographic process to depict all branches of natural history,
except anthropology and archaeology, in such a fashion that a well-informed person will be able to identify the subject
material and certify its honest presentation. The story telling value of a photograph must be weighed more than the
pictorial quality while maintaining high technical quality. Human elements shall not be present, except where those
human elements are integral parts of the nature story such as nature subjects, like barn owls or storks, adapted to an
environment modified by humans, or where those human elements are in situations depicting natural forces, like
hurricanes or tidal waves. Scientific bands, scientific tags or radio collars on wild animals are permissible.
Photographs of human created hybrid plants, cultivated plants, feral animals, domestic animals, or mounted
specimens are ineligible, as is any form of manipulation that alters the truth of the photographic statement.
No techniques that add, relocate, replace, or remove pictorial elements except by cropping are permitted. Techniques
that enhance the presentation of the photograph without changing the nature story or the pictorial content, or without
altering the content of the original scene, are permitted including HDR, focus stacking and dodging/burning.
Techniques that remove elements added by the camera, such as dust spots, digital noise, and film scratches, are
allowed. Stitched images are not permitted. All allowed adjustments must appear natural. Color images can be
converted to grey-scale monochrome. Infrared images, either direct-captures or derivations, are not allowed. Images
used in Nature Photography competitions may be divided in two classes: Nature and Wildlife. Images entered in
Nature sections meeting the Nature Photography Definition above can have landscapes, geologic formations, weather
phenomena, and extant organisms as the primary subject matter. This includes images taken with the subjects in
controlled conditions, such as zoos, game farms, botanical gardens, aquariums and any enclosure where the subjects
are totally dependent on man for food.
Images entered in Wildlife sections meeting the Nature Photography Definition above are further defined as one or
more extant zoological or botanical organisms free and unrestrained in a natural or adopted habitat. Landscapes,
geologic formations, photographs of zoo or game farm animals, or of any extant zoological or botanical species taken
under controlled conditions are not eligible in Wildlife sections. Wildlife is not limited to animals, birds and insects.
Marine subjects and botanical subjects (including fungi and algae) taken in the wild are suitable wildlife subjects, as
are carcasses of extant species. Wildlife images may be entered in Nature sections of Exhibitions.
A traditional photograph maintains the original image content with minimal adjustments,
which should not alter the reality of the scene and should appear natural. It is
a single image produced in camera with limited post camera processing. Acceptable
techniques post camera include adjusting in all or part of the image: levels, curves,
brightness, contrast, colour balance, tone, straightening, removing blemishes, burning
/ dodging, cropping and conversion of colour images to monochrome. No other post
camera processing is permitted. No moving, adding or removing any elements apart
from eliminating minor blemishes such as dust marks. No post camera HDR, filters,
or any other effects. The Society reserves the right to view the original camerafile
and EXIF data.
A ‘Creative’ image is one noticeably different from an image as viewed through the
camera lens. The submitted image must have originated as image or images captured
by media sensitive to light or other electromagnetic radiation. All elements of
the image must have been captured or generated by the creator of the image. The
use of third party images such as clip art is not allowed. All creative techniques
including combined images and montages and HDR are acceptable.